Captain Blood by Rafael Sabatini
Season of the Witch (feat. Nicolas Cage)
In this Season of the Witch, Cage and Ron Perlman play buddy Crusader heroes, the best of their brutal breed. With each battle, whoever killed less than the other had to buy drinks for the night. What fun. Eventually they saw the hypocrisy in killing for God, and became deserters. However, Cage's character still wanted to be a hero, and as chance would have it, the two warriors get a chance to save a witch, or at least have her exorcised.
After some really weak battle scenes, the adventure ensues. There are some fun sword fights with a young cleric with surprising prowess. Then there's a scene with a rickety bridge. Standard fare for this genre. I see how this film seemed like a good idea at the time, but its end product failed on most levels.
I understand that medieval settings are tricky and expensive, but there were a lot of bad shots in this film. In most scenes, there's no sense of space and pacing, as there are rarely more than one or two people in each shot, constantly cutting from one to the next.
The hero boys talk to each other more like badasses in a western and less like the Teutonic knights they should be. With Perlman, there isn't much dialogue. He mostly responds with tough one liners before moving on to smash things. With Season of the Witch, there are no surprises and no immersion.
- Raising Arizona
- The Unbearable Weight of Massive Talent
- Leaving Las Vegas
- Red Rock West
- Adaptation
- Pig
- Birdy
- Wild at Heart
- Joe
- National Treasure
- Guarding Tess
- Snake Eyes
- Mandy
- Dog Eat Dog
- Color Out of Space
- Mom and Dad
- World Trade Center
- Peggy Sue Got Married
- The Rock
- Zandalee
- Prisoners of the Ghostland
- City of Angels
- Willy's Wonderland
- Captain Corelli's Mandolin
- Bangkok Dangerous
- Drive Angry
- Army of One
- Lord of War
- Gone in 60 Seconds
- Matchstick Men
- Vampire's Kiss
- Con Air
- Face/Off
- Trapped in Paradise
- The Boy in Blue
- Honeymoon in Vegas
- Deadfall
- Amos and Andrew
- Moonstruck
- Tokarev
- The Sorcerer's Apprentice
- Knowing
- Bad Lieutenant: Port of Call New Orleans
- Bringing Out the Dead
- The Family Man
- Stolen
-
Season of the Witch
- It Could Happen to You
- The Wicker Man
- 8mm
- The Frozen Ground
- Left Behind
- A Score to Settle
- Pay the Ghost
- Primal
- Dying of the Light
- Grand Isle
- Looking Glass
- Arsenal
- Between Worlds
- Ghost Rider
- Trespass
- The Humanity Bureau
- Next
- The Weather Man
- 211
- Fire Birds
- The Croods
National Treasure (feat. Nicolas Cage)
Cage plays Benjamin Franklin Gates, from a lineage of history-experts who go against popular belief in favor of the National Treasure. Aside from being a generally good guy, that's all we need to know about Ben. He's not bitter about his family's reputation, and he doesn't have any characteristic weaknesses. He's not a real character, just like the rest of his small, but 100% competetent crew.
This leaves me sympathizing more with the villains, based on their humanity alone. Let's look at Indiana Jones, the model treasure-hunting adventurer. Indiana Jones was afraid of snakes, had a real job, got drunk at inconvenient times, and had a complicated history with almost every beautiful woman he ran into. He's cool. Benjamin Franklin Gates, however, is hyper-objective and fully rational at all times. He isn't greedy and has a good relationship with his dad. In National Treasure, everyone who's a good guy is about as good as a person can be, and even the bad guys aren't so bad.
But it's a Disney movie, for the kids at heart. So despite how great this filmw as, I don't feel like I missed anything by not seeing it until yesterday. And I don't foresee myself nerdding out about its fictitious history with anyone.
- Raising Arizona
- Leaving Las Vegas
- Red Rock West
- Adaptation
- Pig
- Birdy
- Wild at Heart
- Joe
- National Treasure
- Guarding Tess
- Dog Eat Dog
- Color Out of Space
- Mom and Dad
- Peggy Sue Got Married
- Zandalee
- City of Angels
- Bangkok Dangerous
- Drive Angry
- Army of One
- Lord of War
- Gone in 60 Seconds
- Matchstick Men
- Vampire's Kiss
- Con Air
- Face/Off
- The Boy in Blue
- Honeymoon in Vegas
- Amos and Andrew
- Moonstruck
- The Sorcerer's Apprentice
- Bad Lieutenant: Port of Call New Orleans
- Bringing Out the Dead
- The Family Man
- Knowing
- It Could Happen to You
- 8mm
- Looking Glass
- Between Worlds
- Left Behind
- Ghost Rider
- The Humanity Bureau
- Next
- The Weather Man
- 211
- The Croods
Catfishing on Catnet by Naomi Kritzer
I think Catfishing on CatNet provides a good example for how LBGTQ+ characters can be used in a story without being gratuitous or making the story about sex and gender. I've often questioned the media's insistence that Sex play such a domineering role in our Attractions and Identities. However, my two cents on gender-identity don't matter much. I'm here to talk about books. This was a pretty good one.
Wild at Heart (feat. Nicolas Cage)

However there's a certain amount of trust that I think should exist between a story teller and their audience. Halfway through the film, I gave up on my hopes and expectations because literally anything could have happened at any moment. While there were some amazing scenes, a lot of them served no purpose. At times I felt like I was being trolled in the David Lynch Cinematic Variety Show.
Aside from that, I think Wild at Heart was a great film. I don't like to argue about the rules of what is good, but here I am... torn apart. With no authority, I think my qualms are valid about this otherwise incredible film.
1. Raising Arizona
2. Leaving Las Vegas
3. Adaptation
4. Birdy
5. Wild at Heart
6. Color Out of Space
7. City of Angels
8. Gone in 60 Seconds
9. Matchstick Men
10. Vampire's Kiss
11. Face/Off
12. Honeymoon in Vegas
13. The Family Man
14. 8mm
15. The Weather Man
16. The Croods
Knee Deep in the Dead by Dafydd ab Hugh

I’ve never read a military-type story so this is a new thing for me. Like the computer game, Knee Deep in the Dead is mostly about shooting monsters. These monsters are being produced on Deimos and Phobos, the famous moons of Mars, and must be stopped from going to earth and destroying humanity. It’s a fun read especially if you’re addicted to action games and want to build up your literacy.
Pajama Sam in No Need to Hide When It's Dark Outside
I started playing this game hoping to get relaxed enough to do a number of creative things that all require a little extra patience. It took me about an hour to get through to the end, but that's okay. I didn't want to spend all day on it. Still, an hour seemed pretty short so I read the walk through and found out the adventure puzzles are actually different every time you start a new game. Pretty cool, huh?
I know it's not always cool to play a kids' game when I could be jamming some Call of Duty and shelling out some serious cash for an Xbox. Sometimes it's nice to play an easy adventure game and see if the realm of things you enjoyed in the 90s can still hold up to today's standards. Truly, Humongous Entertainment never left us hanging in their long stream of timeless hits. They spared no effort in making Sam's closet into a truly magical place. The world within is full of interesting characters and almost everything can be interacted with. I'd like to see the singing carrot front a punk band. He's a vegan anarcho-socialist with the voice for punk. I was inspired.